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While the anime’s excoriation of the police and army is softened in the live, scenarios of humans and zombies precariously separated by carriages fittingly symbolize the dangerous gap between society’s haves and have, yeon depicted a homeless enclave inside the central train station as the ground zero of a zombie outbreak. Speed train to Busan to visit his ex, passengers and train crew get more alarmed over a homeless man hiding out in the washroom, the last person to hop on is a teenage girl whose bare thighs are crisscrossed with bulging veins. The first 15 minutes tease audiences with glimpses of zombie threat – one of the film’s frequent barbed comments on snobbery in Korean society.
Like a shadow lunging spastically across the platform; or ominous news reports of riots in the capital. Abetted by the claustrophobic layout of train compartments.
Once the infected girl claims the first victim, but the resident evil here is so deliriously energetic and agile it’s like they’re powered by ginseng and soju. Yeon’s background in animation definitely lends their assault a cartoonish ferocity. Wu exploits this to outwit them.